Saturday 12 March 2022

Netflix's Drive to Survive season 4 can only disappoint against reality

Netflix is no stranger to top-tier factual programming. The very best Netflix documentaries pluck the most fascinating of unknown stories from obscurity, heightening their emotional impact with talking heads, simulated role-play and an animation or two for audiences to enjoy in comfort and disbelief.

The latest season Formula 1: Drive to Survive, though – which began streaming on Netflix this weekend – has the particularly tricky task of dramatizing the events of a sporting season that defied even the imagination of the show’s usual scriptwriters. 

No amount of ominous narration or slow-motion camerawork could ever do justice to the jaw-dropping spectacle that unfolded during the final lap of the 2021 Abu Dhabi Grand Prix, a moment of pure ecstasy for Max Verstappen fans and heartbreak for those supporting Lewis Hamilton.

An impossible task

Having watched the first episode of Drive to Survive season 4, it’s clear the series still employs all the familiar tricks to help its audience relive those fist-clenching moments. It's still one of the best Netflix shows, don't get me wrong.

But it’s also clear that it will fail to conjure the same feeling of awe that reality presented us with in 2021 - a pleasant reminder that sport is at its best when the unthinkable unfolds before our eyes. 

That’s not to say the interviews and forensic reliving of the entire year won’t entertain… but the finale in Abu Dhabi still exalts and hurts fans in equal measure, and no documentary can top that.

In the past, criticism has been levelled at the docuseries for its tendency to exaggerate action on and off the race track. Supposedly fictional rivalries, dirty politics and backstage bust-ups have become a feature of a show that has been credited with revitalizing interest in a traditionally inaccessible sport. 

Formula 1 in streaming

(Image credit: F1)

In some cases, that criticism holds water – in season 3, for instance, on-screen tensions between McLaren teammates Lando Norris and Carlos Sainz were later rubbished by the drivers themselves.

It figures, then, that some have claimed – in a racing season which saw title challenger Verstappen dethrone  Hamilton in exceptionally controversial fashion – that the sport itself now plays second fiddle to the Netflix series it inspires (an allegation the show’s producers have fiercely denied). 

Could race organizers really be sacrificing the integrity of Formula 1 for the sake of TV drama? Few know the real answer, but this writer remains sceptical. 

In truth, the best moments in Drive to Survive’s four seasons have come from the little guys – from the stories swallowed up by the greater championship narrative in any given year. 

How many times do we see or hear from Guenther Steiner on a Grand Prix weekend? Rarely. But the Haas team principal is indisputably the best personality to emerge from this supposedly fly-on-the-wall series, and so it’s true again with season 4. 

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Yes, the battle between Max Verstappen and Lewis Hamilton hangs over proceedings like a dark cloud, but it’s the stories told in Drive to Survive’s earliest episodes that prove the most engaging – the stories that really do demand a fly on the wall to eavesdrop, else they go untold. 

When else would we get to hear Steiner remark - particularly poignant given his recent dismissal - “that’s why people hate you” to his driver, Nikita Mazepin?

All this is to say that Drive to Survive season 4 is once again – like all three seasons before it – succeeds when it’s showing us things we don’t already know. 

You can’t replicate the magic of a championship finale when your audience already knows the outcome, but you can surprise and entertain with insight into the lives of those kept away from the media spotlight.

Netflix's latest ode to burning rubber is by no means a failure, then, but the makers need to remember one thing for future series - you can’t dramatize the most exciting moments in history, but you can continue to tell the smaller stories and bring the fullest flavor to an incredibly exciting narrative cocktail.

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